Helping print sub-editors go digital

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Kings Cross last Saturday – and I delivered my first-ever workshop. While the rest of the UK was firing up the barbecue to make the most of a beautiful sunny afternoon, seven sub-editors were arriving at the very cool Centre for Creative Collaboration to learn some digital editing skills. (C4CC is a brilliant neutral space that exists to foster collaborations between and help improve outcomes for freelance creatives. If you have a creative/collaborative project that fits the bill, I highly recommend getting in touch with them and putting in a proposal.)

My workshop project arose partly because I’d already been approached by a friend whose work was drying up. She asked if she could come to Birmingham for a day and just watch what I did as a web editor. A quick ask around some other friends told me she wasn’t the only one who would be up for learning some online publishing skills.

But the idea was further kicked into life after the NME posted a sub-editing job at a below-industry-standard rate on the London Freelance sub-editors forum Subs UK. There was much consternation on the group messageboard with suggestions of setting a minimum rate for those seeking access to Subs UK talent, as well as calls to boycott the job offer.
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RIP Sub-editing 1987-2008

My blog mentor used to say keep your posts short. One point per post. Three paragraphs should do it.

Well, here it is. The perfect post. Albeit leading to 3,000 >more< words of juicy goodness about a trade that is being eroded, outsourced and killed off as mainstream media declines. Over on Subs’ Standards, I’ve just posted up the final chunk of a three-part epic looking back over my 21 years as a sub-editor.

And here is it: RIP Sub-editing 1987-2008. Enjoy! Meanwhile check out these taster pics: of my old-skool kit and the changing size and shape of technology…

Typewriter, typescale, proof marks, reproduction computer
Typewriter, typescale, proof marks, reproduction computer
Typewriter vs laptop
Silver Reed vs MacBook